List of Works Cited and Consulted

List of Works Cited and Consulted

This list is from a working bibliography dated now from 1992. Use your arrow keys and search mode to find books/articles appropriate to your topic or author.

Abbott, Anthony S. The Vital Lie: Reality and Illusion in Modern Drama.

Tuscaloosa: U of Alabama P, 1989.

Abrams, M. H. The Mirror and the Lamp: Romantic Theory and the

Critical Tradition. London: Oxford UP, 1953.

—. Natural Supernaturalism: Tradition and Revolution in Romantic

Literature. New York: Norton, 1971.

Adair, Patricia M. The Waking Dream: A Study of Coleridge’s Poetry.

New York: Barnes, 1968.

Agate, James, ed. These Were Actors: Extracts from a Newspaper

Cutting Book, 1811-1833. London: Hutchinson, 1834.


Altick, Richard Daniel. The Shows of London
. Cambridge: Harvard

UP, 1978.

Altman, George, Ralph Freud, Kenneth Macgowan, and William Melnitz, eds. Theater Pictorial: A History of World Theater as Recorded in Drawings, Paintings, Engravings, and Photographs. Berkeley: U of California P, 1953.

Anderson, Robin, and Hanna Segal, eds. Clinical Lectures on Klein and Bion. 14. The New Library of Psychoanalysis. Gen. ed. Elizabeth Bott Spillius. London: Tavistock, 1992.

Antal, Frederick. Hogarth and His Place in European Art.

Arguelles, Jose A. The Transformative Vision: Reflections on the Nature and History of Human Expression. Berkeley: Shambhala, 1975.

Armstrong, W. A., et al., gen. eds. Renaissance Drama: New Series. Vols. 1-10. Evanston: Northwestern UP, 1967–.

Arnheim, Rudolf. Art and Visual Perception: The Psychology of the Creative Eye. Berkeley: U of California P, 1974.

—. Visual Thinking. Berkeley: U of California P, 1969.

Arnott, James Fullarton, and John William Robinson. English Theatrical Literature 1559-1900: a Bibliography, incorporating Robert W. Lowe’s A Bibliographical Account of English Theatrical Literature Published in 1888. London: Theatre Research, 1970.

Ashley, Leonard. Nineteenth-Century British Drama. Glenview: Scott, 1967.

Austin, Gayle. Feminist Theories for Dramatic Criticism. Ann Arbor: U of Michigan P, 1990.

Babbitt, Irving. "The Present Outlook." Gleckner and Enscoe 26-40.

Bachelard, Gaston. On Poetic Imagination and Reverie: Selections from the Works of Gaston Bachelard. Trans. Colette Gaudin. New York: Bobbs, 1971.

—. The Poetics of Reverie. Trans. Daniel Russell. New York: Beacon, 1969.

—. The Poetics of Space. Trans. Maria Jolas. Boston: Beacon, 1964.

—. L’Air et les Songes: Essai sur l’imagination du mouvement. Paris: Jose Corti, 1943.

—. La Terre et les Reveries du Repos. Paris: Jose Corti, 1948.

Badawi, M. Coleridge: critic [sic] of Shakespeare. Cambridge: Cambridge UP, 1973.

Bakhtin, M. M. The Dialogic Imagination: Four Essays. Ed. Michael Holquist. Trans. Caryl Emerson and Michael Holquist. Austin: U of Texas P, 1981.

Baillie, Joanna. A Series of Plays:in which it is Attempted to Delineate the Stronger Passions of the Mind. 3 vols. London: T. Cadell, Jun. and W. Davies, 1798-1812.

—. Miscellaneous Plays. Vol. 1. London: Longman, 1804.

—. Miscellaneous Plays. 3 vols. London: Longman, 1836.

—. The Family Legend. Edinburgh: Ballantyne, 1810.

—. Metrical Legends of Exalted Characters. London: Longman, 1821.

—. The Dramatic and Poetical Works of Joanna Baillie. London: Longman, 1851.

—. Rev. of "Miscellaneous Plays." Annual Register 3 (July-Dec. 1805): 609-17.

—. Rev. of "Series of Plays on the Passions." Critical Review 24 (Sept. 1798): 13-22.

—. Rev. of "Series of Plays on the Passions" by Thomas Campbell. New Monthly Magazine 5 (Sept. 1798): 507-09.

—. Rev. of "Series of Plays on the Passions." Monthly Review 2nd series. 27 (Sept. 1798): 66-69.

—. Rev. of "Series of Plays on the Passions." British Critic 13 (Jan. 1799): 284-88.

—. Rev. of "Series of Plays on the Passions." European Magazine 37 (April 28, 1800): 384-85.

Baillie, Matthew. The Morbid Anatomy of Some of the Most Important Parts of the Human Body. London: J. Johnson and G. Nichal, 1795. J. Johnson, 2nd ed. 1797.

"Baillie, Matthew (1761-1823)." Encyclopedia Britannica 9th ed. 944-45.

—. The Morbid Anatomy of Some of the Most Important Parts of the Human Body. 2nd American from the 3rd London ed. Brattleborough, VT: Nichols/Fessenden, 1808.

Ball, Patricia. The Central Self: A Study in Romantic and Victorian Imagination. London: Athlone, 1968.

Barthes, Roland. Camera Lucida: Reflections on Photography. Trans. Richard Howard. 1981. London: Fontana, 1984.

—. Image, Music, Text. Trans. Stephen Heath. New York: Hill, 1977.

—. "Literature and Signification." Critical Essays. Trans. Richard Howard. Evanston: Northwestern UP, 1972.

—. "The Structuralist Activity." Critical Essays. Trans. Richard Howard. Evanston: Northwestern UP, 1972.

—. Critical Essays. Trans. Richard Howard. Evanston: Northwestern UP, 1972.

—. The Semiotic Challenge. Trans. Richard Howard. New York: Hill, 1988.

Barton, Anne. "’A Light to Lesson Ages’: Byron’s Political Plays." Jump 138-62.

Bate, Jonathan. Shakespeare and the English Romantic Imagination. 1986. Oxford: Clarendon, 1989.

—. Shakespearean Constitutions. Oxford: Oxford UP, 1989.

Baugh, Christopher. "Philippe James de Loutherbourg and the Early Pictorial Theatre: Some Aspects of its Cultural Context." Ed. James Redmond. The Theatrical Space. Vol. 9. Themes in the Drama. Cambridge: Cambridge UP, 1987. 99-128.

"Dr. Beattie’s Account of Second Sight." A Selection of Curious Articles from the Gentleman’s Magazine. 3 of 3 vols. London: Longman, 1809. 423-24.

Beer, John. Coleridge’s Poetic Intelligence. London: Barnes, 1977.

— . "Coleridge, Hazlitt, and ‘Christabel.’" The Review of English Studies ns 37 (1986): 40-54.

—. "Coleridge and Wordsworth: Influence and Confluence." Hartman 192-211.

Bell, Charles. Essays on the Anatomy of Expression in Painting. London: n.p., 1806.

Berger, Harry Jr. Imaginary Audition: Shakespeare on Stage and Page. Berkeley: U of California P, 1989.

Bergman, Gösta M. Lighting in the Theatre. Stockholm: Almqvist, 1977.

Bergson, Henri. Matter and Memory. Trans. Nancy Margaret Paul and W. Scott Palmer. New York: Macmillan, 1911.

—. Time and Free Will: An Essay on the Immediate Data of Consciousness. Trans. F. L. Pogson. New York: Macmillan, 1910.

—. Creative Evolution. Trans. Arthur Mitchell. New York: Holt, 1913.

Berry, Mary. Extracts of the Journals and Correspondence of Miss Berry. Ed. Lady Theresa Lewis. 2 vols. London: Longman, 1865.

Bidney, Martin. "The Structure of Epiphanic Imagery in Ten Coleridge Lyrics." Studies in Romanticism 22 (1983): 29-40.

—. "Christabel as Dark Double of Comus. Studies in Philology 73 (1986): 182-200.

Black, Michael. Poetic Drama as Mirror of the Will. London: Vision, 1977.

Blair, Hugh. A Philosophical Inquiry into the Sources of the Pleasures Derived from Tragic Representations: From Which is Deduced the Secret of Giving Dramatic Interest to Tragedies Intended for the Stage. Preceded by a Critical Examination of the Various Theories Adopted on the Subject by the English, French, and German Philosophers. London: Sherwood, Jones, 1824.

Blau, Herbert. "Universals of Performance; or, Amoritizing Play." Sub-stance 37-8 (1983): 138-57.

—. "Ideology and Performance." Theatre Journal 35.4 (1983): 440-49.

—. Blooded Thought. New York: n.p., 1982.

Bligh, N. M. "Mirror Curtains." Theatre Notebook 15.2 (1960): 56-62.

Bloom, Harold. Romanticism and Consciousness. New York: Norton, 1970.

—. The Visionary Company: A Reading of English Romantic Poetry. New York: Doubleday, 1961.

—, et al. Deconstruction and Criticism. New York: Continuum, 1979.

—, ed. Modern Critical Interpretations: Christopher Marlowe’s Doctor Faustus. New York: Chelsea, 1988.

Booth, Michael R. Prefaces to English Nineteenth-Century Theatre. Rpt English Plays of the Nineteenth Century. Atlantic Highlands: Humanities, 1976.

—. "A Defense of Nineteenth-Century English Drama." Educational Theatrical Journal 26.1 (1974): 5-13.

Bostetter, Edward E. The Romantic Ventriloquists: Wordsworth, Coleridge, Shelley, Keats, Byron. Seattle: U of Washington P, 1963; rev. ed., 1975.

—. "Coleridge’s Manuscript Essay On the Passions." Journal of the History of Ideas 31.1 (1970): 99-108).

Bowen, Cyril. Practical Hints on Stage Costume, including Instructions and Patterns for Making Hats, Boot Tops, Sword Belts, Lace Ornaments, Ballet Shirts, and other Necessary Articles of Costume Generally Supplied by the Actor Himself. London and New York: French, ca. 1881.

Boydell, John. The Boydell Shakespeare Prints (1802-03). Intro. and ed. A. E. Santaniello. 1802-03. New York: Benjamin Blom, 1968.

Brewster, David K. H. Letters on Natural Magic addressed to Sir Walter Scott, Bart. London: Murray, 1934.

Brion, Marcel. Art of the Romantic Era: Romanticism, Classicism, Realism. New York: Praeger, 1966.

Britton, Ronald. "Keeping Things in Mind." Ed. Robin Anderson. Clinical Lectures on Klein and Bion. Gen. ed. Elizabeth bott Spillius. New Library of Psychoanalysis. 14. London: Tavistock, 1992. 102-13.

Brown, Jane K. Goethe’s Faust: the German Tragedy. Ithaca: Cornell UP, 1986.

Brown, Marshall. The Shape of German Romanticism. Ithaca: Cornell UP, 1979.

Bryson, Norman. Vision and Painting: The Logic of the Gaze. New Haven: Yale UP, 1983.

Bunch, Antonia. "Playbills and Programmes in Guildhall Library." Theatre Notebook 14.1 (1959): 66-7.

Burke, Edmund. A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful with an Introductory Discourse Concerning Taste: and Several Other Additions. London: Longman, 1812. Reprint Charlottesville: Ibis, 1989.

Burnim, Kalman A. "Eighteenth-Century Theatrical Illustrations in the Light of Contemporary Documents." Theatre Notebook 14.1 (1959): 45-55.

Burns, Edward. "Stage One: ‘Two Foscari’ Workshop at the Theatre Museum." The Byron Journal 19 (1991): 166-68.

—. "Byron’s Cain at Grasmere." The Byron Journal 18 (1990): 84-7.

Burroughs, Catherine Beau. The Characterization of the Feminine in the Drama of the English Romantic Poets. Emory U, 1988. Ann Arbor: UMI, 1988. 8816933.

Burwick, Frederick. The Damnation of Newton: Goethe’s Color Theory and Romantic Perception. Berlin, New York: de Gruyter, 1986.

—. The Haunted Eye: Perception and the Grotesque in English and German Romanticism. Heidelberg: Winter, 1987.

—. "Stage Illusion and the Stage Designs of Goethe and Hugo." Word & Image 4 (1988): 692-718.

—. "On Stage Illusion: from Wordsworth’s Marginalia to Coleridge’s Lectures." The Wordsworth Circle 19.1 (1988): 28-37.

—. "Romantic Drama: from Optics to Illusion." Literature and Science: Theory and Practice. Ed. Stuart Peterfreund. Boston: Northeastern UP, 1990.

—. Illusion and the Drama: Critical Theory of the Enlightenment and Romantic Era. University Park, PA: Penssylvania State UP, 1991.

—. "Coleridge, Schlegel, and Animal Magnetism." Pipkin 275-300.

—. "The Plagiarism of Play: The Unacknowledged Source of Gadamer’s Ontological Argument in Truth and Method." Pacific Coast Philology 25 (1990): 60-68.

—. "Science and Supernaturalism: Sir David Brewster and Sir Walter Scott." Comparative Criticism 13 (1991): 156-192.

Burwick, Frederick and Walter Pape, eds. Aesthetic Illusion. Berlin: de Gruyter, 1990.

Byron, George Gordon, Lord. Byron’s Works: Complete in One Volume. London: John Murray, 1837.

—. The Works of Lord Byron: A New, Revised, and Enlarged Edition, with Illustrations. Vol. 5 of 5. Ed. Ernest Hartley Coleridge. London: John Murray, 1901.

—. Byron’s Poetry: Authoritative Texts, Letters and Journals, Criticism, and Images of Bryon. Ed. Frank D. McConnell. New York: Norton, 1978.

—. Byron: The Critical Voice. Ed. Bruce Wallis. Romantic Reassessment. Gen. ed. James Hogg. Salzburg: Universität Salzburg, 1973.

—. Byron’s Letters and Journals. Ed. Leslie A. Marchand. 12 vols. Cambridge: Harvard UP, 1982.

Calderón De La Barca, Pedro. La Vida es Sueño. Madrid: Espasa-Calpe, 1964.

Campbell, Thomas. Memoirs of Mrs. Siddons. 2 vols. London: n.p., 1834.

Cantor, Paul. "’A Distorting Mirror’: Shelley’s The Cenci and Shakespearean Tragedy." Evans, G. B. 46-64.

Carhart, Margaret. The Life and Work of Joanna Baillie. New Haven: Yale UP, 1923; Archeon, 1970.

Carlson, Julie. "A New Stage for Romantic Drama." Studies in Romanticism 27.1 (1988): 419-27.

Carlson, Marvin. Theories of the Theatre: A Historical and Critical Survey, from the Greeks to the Present. Ithaca: Cornell UP, 1984.

—. Theatre Semiotics: Signs of Life. Bloomington: Indiana UP, 1990.

Castle, Terry. "’Phantasmagoria’: Spectral Technology and the Metaphorics of Modern Reverie." Critical Inquiry 15 (Autumn 1988): 26-81.

Cauldwell, Christopher. Illusion and Reality London: Lawrence, 1937.

Cave, Richard Allen, ed. The Romantic Theatre: An International Symposium. New Jersey: Barnes, 1986.

—. "Romantic Drama in Performance." Cave 79-104.

Caws, Mary Ann. The Eye in the Text: Essays on Perception, Mannerist to Modern. Princeton: Princeton UP, 1981.

Chase, Cynthia. Decomposing Figures: Rhetorical Readings in the Romantic Tradition. Baltimore: Johns Hopkins UP, 1986.

Chew, Samuel C. The Dramas of Lord Byron: A Critical Study. New York: Russell, 1964.

Christensen, Jerome. Coleridge’s Blessed Machine of Language. Ithaca: Cornell UP, 1981.

Christie, John, and Sally Shuttleworth. Nature transfigured: Science and Literature, 1700-1900. Manchester: Manchester UP, 1989.

Clark, Barrett H. European Theories of the Drama. Revised by Henry Popkin. New York: Crown, 1965.

Clark, Kenneth. The Romantic Rebellion: Romantic versus Classic Art. New York: Harper, 1973.

Coburn, Kathleen, ed. Inquiring Spirit: A New Presentation of Coleridge from his Published and Unpublished Prose Writings. New York: Pantheon, 1951.

—. The Self Conscious Imagination: A Study of the Coleridge Notebooks in Celebration of the Bi-Centenary of his Birth 21 October 1772. London: Oxford UP, 1974.

Cohn, Jan, and Thomas M. Miles. "The Sublime in Alchemy, Aesthetics and Psychoanalysis." Modern Philology 74 (1977): 289-304.

Coleridge, Samuel Taylor. Coleridge’s Poetical Works. Ed. Ernest Hartley Coleridge. Oxford: Oxford UP, 1969.

—. The Statesman’s Manual. Lay Sermans. Ed. R. J. White. Bollingen Series. 75. Princeton: Princeton UP, 1972.

—. Biographia Literaria or Biographical Sketches of My Literary Life and Opinions. Eds. W. Jackson Bate and James Engell. Princeton: Princeton UP, 1983. 2 vols. The Collected Works of Samual Taylor Coleridge. Gen. Ed. Kathleen Coburn. 5. Bollingen Series. 75. Princeton: Princeton UP, 1969-.

—. Collected Letters of Samuel Taylor Coleridge. Ed. Earl Leslie Griggs. 6 vols. Oxford: Oxford UP, 1956-71.

—. The Notebooks of Samuel Taylor Coleridge. Ed. Kathleen Coburn. New York: Bollingen, 1957- . 3 vols. to date.

—. Lectures 1808-1818: On Literature. Ed. R. A. Foakes. 2 vols. Princeton: Princeton UP, 1987. Vol. 5. The Collected Works of Samuel Taylor Coleridge. Gen. Ed. Kathleen Coburn. Princeton: Princeton UP, 1969-.

—. Shakespearean Criticism. Ed. Thomas Middleton Raysor. 1930.

2 vols. New York: Dutton, 1960.

Comfort, Alex. "The Ideology of Romanticism." Gleckner and Enscoe 165-80.

Connoly, L. W. The Censorship of the English Drama 1737-1834. San Marino: The Huntington Library, 1976.

Cooke, Michael G. The Romantic Will. New Haven: Yale UP, 1976.

—. "The Manipulation of Space in Coleridge’s Poetry." Hartman 165-94.

—. "Byron and the Romantic Lyric." Norton 360-75.

Corbett, Martyn. Byron and Tragedy. London: Macmillan, 1988.

Corrigan, Robert W., ed. Tragedy: Vision and Form. New York: Harper, 1981.

—. "Introduction: Tragedy and the Tragic Spirit." Corrigan 1-13.

Cox, Jeffrey. In the Shadows of Romance: Romantic Tragic Drama in Germany, England, and France. Athens: Ohio UP, 1987.

Cronin, Richard. Shelley’s Poetic Thoughts. New York: St. Martin’s, 1981.

Cross, Gilbert B. New Week–East Lynne: Domestic Drama in Performance, 1820-1874. Cranbury: Associated UP, 1977.

Curran, Stuart. Shelley’s Cenci: Scorpions Ringed with Fire. Princeton: Princeton UP, 1970.

David, Richard. Shakespeare in the Theater. Cambridge, Cambridge UP, 1978.

Deleuze, Gilles. Cinema 1: the Movement-Image. Trans. Hugh Tomlinson and Barbara Habberjam. Minneapolis: U of Minnesota P, 1986.

—. Cinema 2: the Time-Image. Trans. Hugh Tomlinson and Robert Galeta. Minneapolis: U of Minnesota P, 1989.

de Man, Paul. Allegories of Reading: Figural Language in Rousseau, Nietzsche, Rilke, and Proust. New Haven: Yale UP, 1979.

—. "Intentional Structure of the Romantic Image." The Rhetoric of Romanticism. New York: Columbia UP, 1984.

—. "Shelley Dis-figured." Deconstruction and Criticism. Ed. Harold Bloom et al. New York: Seabury, 1979.

De Quincey, Thomas. Essays on Philosophical Writers and Other Men of Letters. 2 vols. Boston: Ticknor and Fields, 1856.

Derrida, Jacques. Positions. Trans. Alan Bass. Chicago: U of Chicago P, 1981.

—. The Truth in Painting. Trans. Geoff Bennington and Ian McLeod. Chicago: U of Chicago P, 1987.

Diderot, Denis. On Dramatic Poetry. Clark 238-51.

—. The Paradox of Acting. Trans. Walter Herries Pollock. New York: Hill, 1957.

—. Salons. Ed. and trans. Jean Seznec and Jean Adhémar. 4 vols. Oxford: Clarendon, 1957-67.

Dollimore, Jonathan, and Alan Sinfield, eds. Political Shakespeare: New Essays in Cultural Materialism. Ithaca: Cornell UP, 1985.

Donohue, Joseph W., Jr. Dramatic Character in the English Romantic Age. Princeton: Princeton UP, 1970.

—. Theater in the Age of Kean. Totowa, NJ: Rowman, 1975.

Dougald, Macmillan. Catalogue of the Larpent Plays in the Huntington Library. San Marino: Huntington Library, 1939.

Downer, Alan. "Nature to Advantage Dressed." PMLA 58 (1943): 1002-37.

Dramaticus. An Impartial View of the Stage from the days of Garrick and Rich to the Present Period of the cause of its Degenerated and Declining State and Shewing the Necessity of a Reform in the System as the only means of giving stability to the present property of the Two Winter Theatres. London: Chapple, 1816.

Dryden, John. Literary Criticism of John Dryden. Ed. Arthur C. KIrsch. Lincoln: U of Nebraska P, 1966.

Eagleton, Terry. The Ideology of the Aesthetic. Oxford: Blackwell, 1990.

—. William Shakespeare. New York: Blackwell, 1986.

Ehrstine, John W. "The Drama and Romantic Theory: ‘The Cloudy Symbols of High Romance.’" Research Studies 34 (1966): 85-106.

Engell, James. The Creative Imagination: Enlightenment to Romanticism. Cambridge: Harvard UP, 1981.

Erdman, David V. "Byron’s Stage Fright: The History of his Ambition and Fear of Writing for the Stage." English Literary History 6 (1939): 219-43.

Erikson, Erik. Young Man Luther. New York: Norton, 1962.

Evans, Bertrand. Gothic Drama from Walpole to Shelley. Berkeley: U of California P, 1947.

Evans, G. B. Shakespeare: Aspects of Influence. Cambridge: Harvard UP, 1976.

Everest, Kelvin, ed. Shelley Revalued: Essays from the Gregynog Conference. Totowa, NJ: Barnes, 1983.

Feaver, William. The Art of John Martin. Oxford: Clarendon, 1975.

Feder, Lillian. Madness in Literature. Princeton: Princeton UP, 1980.

Flaherty, Gloria. "Empathy and Distance: Romantic Theories of Acting Reconsidered." Theatre Research International 15.2: 125-140.

Fletcher, Richard M. English Romantic Drama 1795-1843: A Critical History. New York: Exposition, 1976.

Foakes, Reginald A. "Making and Breaking Dramatic Illusion." Burwick, Aesthetic Illusion. 217-28.

Ferguson, Francis. "Shelley’s Mont Blanc: What the Mountain Said." Reed, Romanticism 202-14.

Fergusson, Francis. The Idea of a Theater: The Art of Drama in Changing Perspective. New York: Doubleday, 1949.

Fields, Beverly. Reality’s Dark Dream: Dejection in Coleridge. Kent, Ohio: Kent State UP, 1967.

Fitzgerald, Percy. A New History of the English Stage: From the Restoration to the Liberty of the Theatres, in Connection with the Patent Houses, from the Original Papers in the Lord Chamberlain’s Office, the State Paper Office, and other sources. 2 vols. London: Tinsley, 1882.

"Ford’s Dramatic Works." Edinburgh Review 18 (1811): 276-304.

"Ford’s Dramatic Works." The Quarterly Review 6 (1811): 462-87.

Fox, Arnold B. "Political and Biographical Background of Coleridge’s Osorio." JEGP 61 (1962): 258-67.

Frank, Joseph. The Widening Gyre:Crisis and Mastery in Modern Literature. New Brunswick, NJ: Rutgers UP, 1963.

—. "Spatial Form in Modern Literature." Swanee Review 53 (1945): 221-40.

Fruman, Norman. Coleridge, The Damaged Archangel. New York: Braziller, 1971.

Furst, Lilian, comp. and ed. European Romanticism: Self-Definition. New York: Methuen, 1980.

Fuseli, Henry. Connoisseurship, Criticism, and Art History in the Nineteenth Century: A Collection of Major Texts in English. Ed. and selected by Sydney J. Freedberg. New York: Garland, 1979.

Gadamer, Hans Georg. Truth and Method. Trans. Joel Weinsheimer and Donald G. Marshall. New York: Crossroad, 1991.

Gatton, John Spalding. "`Put into scenery’: theatrical space in Byron’s closet historical dramas." The Theatrical Space. London: Cambridge UP, 1987. 139-50.

Gaull, Marilyn. English Romanticism: The Human Context. New York: Norton, 1988.

Genest, John. Some Account of the English Stage: From the Restoration in 1660 to 1830. 10 vols. London: Thomas Rodd, 1832.

Gleckner, Robert F. "The Giaour as Experimental Narrative." Byron, Byron’s Poetry 389-404.

Gleckner, Robert F., and Gerald E. Enscoe, eds. Romanticism: Points of View. 1962. Englewood Cliffs: Prentice, 1970.

Goethe, Johann Wolfgang von. Faust. Trans. Walter Arndt. Ed. Cyrus Hamlin. 2 vols. New York: Norton, 1976.

Gombrich, Ernst von. Art and Illusion: A Study in the Psychology of Pictorial Representation. 5th ed. Oxford: Phaidon, 1960 (revised 1977).

—. The Image and the Eye: Further studies in the psychology of pictorial representation. Oxford: Phaidon, 1982.

—. "Moment and Movement in Art." Gombrich, The Image and the Eye 300-24.

—. "Representation and Misrepresentation." Critical Inquiry 11 (December 1984): 195-201.

Goslee, Nancy. "Pure Stream from a Troubled Source: Byron, Schlegel, and ‘Prometheus.’" Byron Journal 10 (1982): 20-36.

Gottlieb, Erika. Lost Angels of a Ruined Paradise: Themes of Cosmic Strife in Romantic Tragedy. Victoria: Sono Nis, 1981.

Gould, Evlyn. Virtual Theater: From Diderot to Mallarmé. Baltimore: Johns Hopkins UP, 1989.

Gravil, Richard, Lucy Newlyn, and Nicholas Roe, eds. Coleridge’s Imagination: Essays in Memory of Pete Laver. Cambridge: Cambridge UP, 1985.

Greenblatt, Stephen. Renaissance Self-Fashioning: From More to Shakespeare. Chicago: U of Chicago P, 1980.

Hagstrum, Jean H. The Sister Arts: The Tradition of Literary Pictorialism and English Poetry from Dryden to Gray. Chicago: U of Chicago P, 1958.

Hall, Jean. The Transforming Image: A Study of Shelley’s Major Poetry. Chicago: U of Illinois P, 1980.

Halliday, F. E., ed. Shakespeare and His Critics. York: Schocken, 1963.

Hamilton, Paul. Coleridge’s Poetics. Stanford: Stanford UP, 1983.

Harding, Anthony John. Coleridge and the Idea of Love: Aspects of Relationship in Coleridge’s Thought and Writing. London: Cambridge UP, 1974.

Hartley, Robert A. "The Uroboros in Shelley’s Poetry." JEGP 74 (1974): 524-42.

Hartman, Geoffrey. "Romanticism and Anti-Self-Consciousness." In Bloom, Romanticism and Consciousness.

—. Saving the Text: Literature / Derrida / Philosophy. Baltimore: Johns Hopkins UP, 1981.

Hawkins, F. W. The Life of Edmund Kean. London, n.p., 1887.

Hazelton, Nancy J. Doran. Historical Consciousness in Nineteenth-Century Shakespearean Staging. Ann Arbor, MI: UMI, 1987.

Hazlitt, William. Hazlitt’s Works. 8 vols. Ed. W. Carew Hazlitt. London: George Bell, 1905.

—. "Schlegel on the Drama." Edinburgh Review 26 (February 1816): 98-105.

Heffernan, James A. W. The Re-creation of Landscape: Wordsworth, Coleridge, Constable, and Turner. Hanover: UP of New England, 1985.

—, ed. Space, Time, Image, Sign: Essays on Literature and the Visual Arts. Gen. Ed. Ernest B. Gilman. Vol. 1. Literature and the Visual Arts: New Foundations. New York: Lang, 1987.

—. "The English Romantic Perception of Color." Kroeber and Walling 133-48.

Heller, Janet Ruth. Coleridge, Lamb, Hazlitt, and the Reader of Drama. Columbus: U of Missouri P, 1990.

Herder, Johann Gottfried. Essay on the Origin of Language. New York: Ungar, 1976.

Herson, Ellen Brown. "Oxymoron and Dante’s Gates of Hell in Shelley’s Prometheus Unbound." Studies in Romanticism 29.3 (1990): 371-94.

Hicks, Arthur and Milton Clarke. A Stage Version of Shelley’s Cenci. Caldwell: Caxton, 1945.

Hildebrand, W. H. "Shelley’s Early Vision Poems." Studies in Romanticism 8 (1969): 198-215.

Hill, Aaron. "An Essay on the Art of Acting." The Works of Aaron Hill, Esq. 4 vols. London: n.p., 1754.

Hillebrand, H. N. Edmund Kean. New York: Columbia UP, 1933.

Hogarth, William. The Analysis of Beauty. Ed. Joseph Burke. Oxford: Oxford UP, 1955.

Holsberry, John E. "Hawthorne’s `The Haunted Mind,’ the Psychology of Dreams, Coleridge, and Keats." Texas Studies in Literature and Language 21 (1979): 309-31.

Holtz, William. "Spatial From in Modern Literature: A Reconsideration." Critical Inquiry 21 (1977): 271-83.

Honour, Hugh. Romanticism. New York: Harper, 1979.

Hugo, Victor. Preface to Cromwell. Vol. 3 of 3. Dramatic Works of Victor Hugo. Ed. and trans. George Burnham Ives. Boston: Harvard UP, 1909. 85-92.

Hunt, Leigh. Critical Essays. London: Longman, 1807.

—. Leigh Hunt’s Dramatic Criticism. Ed. L. H. and C. W. Houtchens. London: Cambridge UP, 1966.

—. "Flashes of Lighting." The Tatler 278 (March 25, 1831): 122-24.

Hunter, John. John Hunter’s Works. Ed. E. Palmer. 2 vols. London: Murray, 1834.

—. Letters from the Past: From John Hunter to Edward Jenner. Ed. A. J. Harding Rains. London: Royal College of Surgeons, 1976.

"Hunter, John." Encyclopedia Britannica. 9th ed. Vol. 13. 942-45.

Hunterian Museum. Ed. Elizabeth Allen. London: Royal College of Surgeons, 1974.

Hutchings, Patrick A. E. "Imagination: ‘as the Sun paints in the camera obscura.’" Journal of Aesthetics and Art Criticism 29 (1970): 63-76.

Inchbald, Elizabeth. Inchbald’s Britis Theatre. 24. London: Spottiswoode, 1808.

Iser, Wolfgang. The Implied Reader and the Act of Reading. Johns Hopkins UP, 1978.

Jacobus, Mary. "’That Great Stage Where Senators Perform’: Macbeth and the Politics of Romantic Theatre." Studies in Romanticism 22 (1983): 353-87.

Janowitz, Anne. "Coleridge’s 1816 Volume: Fragment as Rubric." Studies in Romanticism 24 (1985): 21-40.

Jaspers, Karl. "Basic Characteristics of the Tragic." Corrigan 65-72.

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